I am a theatrical philistine. My beloved
mother has branded me such and I own it with pride. My name is Victoria and I
am a theatrical philistine.
I wasn’t always so. It wasn’t until
yesterday afternoon that my Cro-Magnon attitude was discovered at a performance
of Somebody
to Love – a dance tribute to the music of Queen. The write-up is quite
glowing. Either the writer knows the group personally or is tone deaf and
blind.
I believe that all art, theatre and so on
should be accessible across social barriers, language and time - like
Shakespeare.
Interpretative modern dance is the antipathy of accessible.
It’s like rectal-realism in art. It
serves no purpose but to befuddle the brain, shock the sensibilities and steal
valuable seconds of a diminishing life span.
The soprano opera singer screeched like a
Valkyrie, rendering Freddie’s beloved tunes into something quite
unrecognisable. She was also quite the most terrifying person on stage. A young
man and another female singer made up for not quite reaching the notes by
singing them so loudly the luminescent chandelier almost shattered.
I quite like Queen. I find old Freddie
quite upbeat and fun to sing along to. Somehow this lot managed to choose the
most utterly depressing selection of tunes ever to come out of that Mercurial
genius. If I hadn’t been laughing so hard, I might have slit my throat in
misery.
The curtain went up and a group of dancers
in tighty whities and nighties pranced on stage. The men were tiny little
boy-child types – hairless and as camp as Freddie – camper actually – Freddie
had some uber-masculine campness these chaps lacked.
The women ranged from a six-foot black Amazon
version of Angelina Jolie to a tiny little mini person about 4 feet high. She
tore a tendon or something at the end of the first number limped off-stage and we
never saw her again.
I watched the first song in bemused wonder.
The second in silent disbelief. My entry into the philistine hall of fame came
in number three. On the stage was a teeny tiny little sofa. A man and a woman
(who towered over him) simulated sex on the sofa until the woman stalked off
stage left.
At this point I muttered to my mother that
if someone tried to have their way with me on a sofa that small, I’d leave too.
Also if the person concerned was more interested in the opposite sex, it might
have the same result. Around here I my suspension of disbelief evaporated into
a fit of giggles.
As “Somebody to love” began a skinny little
chap minced around waving a red rose while another cavorted with a female
dancer unconvincingly. I was managing to stifle the giggles until I saw the
shaking shoulders of the woman in front me. That was it. I was gone.
The laughter bubbled up like a shaken
bottle of Moet Chandon and erupted like Vesuvius. This set off the man behind
me and the man behind him until most of the audience was shuddering and weeping
along with me. Thank God I wasn’t wearing mascara or I would have walked out
looking like a panda.
I think my favourite was “I want it all”. I’ve
always liked that song as a sort of upbeat anthem for the youth. I had not seen
it as a gay orgy. I do now and no matter what, every time I hear that song I am
now going to collapse in hysterical laughter.
A close runner up was the domestic violence
scene where a scarily tall woman beat the living daylights out of a cowering
little man in his boxers.
I almost forgot the gay sex scenes that
probably made more sense than any other part of the performance. However watching
these terrible earnest young men dry hump each other on the floor was not
remotely erotic.
The dancers were obviously very fit with
great classical experience. They were just ill-fitted to each other and no
matter how hard they tried, they only managed to make the choreography seem
even more peculiar.
The women all danced with massive
aggressive male gestures while the men minced around looking even more
effeminate than Perez Hilton. Periodically they would make these strange “Let
your fingers do the walking through the Yellow Pages” gestures while flinging
themselves prostate on the floor.
When the lights came up, my mother’s
theatre group turned to me and asked me what I thought. Did I find it
brilliant? Inspiring?
I looked desperately at my mother for guidance knowing I
couldn’t lie or she’d start to laugh. I settled for, “It was very entertaining.”
I don’t think they’ll be inviting me along again soon.
It was up there with the last interpretative
modern dance fiasco I saw, which I thought was about pond life, but turned out
to be about gargoyles on French cathedrals.
I shall never hear Freddy’s great music in
the same way again and to quote my friend to whom I relayed the experience, “Ah
well, that’s two hours of your life you won’t get back.”
Amen.
PS: I am looking forward to seeing the
Nutcracker on Ice – at least I know the story.